Apricot Rose


"Apricot Rose"
12" x 12"
Oil on panel
She came with a heady scent, as thick as her petals, as ripe as her color.  This rose was in a bouquet with twenty-three others.  I painted her sister on a 36" x 36" canvas, and couldn't help but honor this one when I revisited my reference photos. 


I love a square format for my single blossom paintings—large or small, the flowers I love to paint seem to fit well in this shape.

But do you think I can find a ready made frame in a square?  Wouldn't you think with as huge as the daily painting movement is, and the thousands of square paintings that are painted each week, that some company would latch on to that market?   I'd do it if I didn't already wear so many hats!  If you are reading this and thinking about it and rubbing your chin, we need: 6x6, 8x8, 10x10, 12x12 and 14x14.  Not even just for us, the painters, but for the wonderful people investing in our art.

Thank you for reading today.


DPW
My DPW Gallery
Brushstrokes@comcast.net

Rose #3

"Rose #3"
24" x 24"
Oil on gessoed panel 
It was evening when I found her yawning into her sleeve.  She had sung her last lullaby and kissed dew drops onto the buds tipping the branches of her sinewy stem. 

I enjoy making square paintings. The corners become important, and need to be different in shape, value and edge. Placing a round flower in a square format can be successful if there's a sense of motion around the center, not just like a dart stuck in the center, with no chance to meander.

Thank you for visiting,
Carol

Rose #2

"Rose #2"
  24" x 24"
Oil on gessoed panel
 
When "Morning Rose" (see the post from Saturday, July 23rd) was purchased and shipped to Colorado I was left with a vacancy in my series.  I revisited my reference photos and cropped her lovely face into a square.  She is currently hanging as a companion piece to "Rose #3".

Here I faced the issue of placing a round subject in a square format again. I must enjoy the challenge.  If I recall correctly, the deceased artist Michael Gerry delighted in the same pleasure. He made a living painting large single blooms, many of them square.  

Thank you for visiting,
Carol