Ginger Blossom's

"Ginger Blossom's"
8" x 10"
Oil on hardboard
There was so much more to see at Ginger Blossom's in Richmond, Illinois today, than this cluster of trees surrounding a small out building. So much more. But I was hell bent on applying my newly-learned tree-painting skills, so I faced the opposite direction and painted the mundane, and left the riots of colour for my peers.  

I enjoyed this exercise immensely. The temperature was comfortable, the humidity was low, and even the bugs minded their manners.

Carol

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Linda's Corner

"Linda's Corner"
8" x 10"
Oil on canvas panel
Haze veiled the distant trees like a chalkboard erased too many times. Verdant with soy and grain too tender to label, the fields stained the rolling hills in front of Linda's place.

They arrived ... my wayward paintings, that were left in Iowa. This is the first painting I did on location in South English with Andrew Orr.  I stood on a hill looking down on this vista behind Andrew, himself.  I'll be painting this scene or ones like it to reinforce his way of painting trees in a landscape.  Did I mention the bugs?

Carol

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Daniel Wright Pond

"Daniel Wright Pond"
10" x 10"
Oil on hardboard
I painted today in the Daniel Wright Woods with friends. The week had been cold and grey, but this morning for our first excursion into painting en plein air, the universe saw fit to grant us a day worthy of our efforts.  Sun shone on the trees, the algae rimming the pond and our skin when we got to take off our jackets.

I hadn't painted outdoors in a year and a half. I felt clumsy and untrained. What was I thinking?  But that's the point. I need to get comfortable painting outdoors for the workshops I'll be taking in Iowa and Indiana this season.  I'll find my way back to my roots... painting the many shades of green indicative of summer in Illinois.

Carol

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Cloudy and Cool



"Cloudy and Cool"
6" x 6"
Oil on hardboard
The field of soybeans had been plowed under by the time the first nip of autumn stung my skin.  The weeds in the field next to the black dirt were sporting golds and bronzes to carry them through to spring.  The scrub trees were holding onto their leaves for as long as they could. It would be a long, cold winter. 

Thankfully, winter no longer resides in my zip code. The magnolias are nearly finished blooming, rosebushes have leaves the size of teaspoon bowls and the lilacs are about to atomize their fragrance at the pulse points of my neighborhood.

Carol

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Amber Light

"Amber Light"
10" x 8"
Oil on canvas panel 
The amber light that billowed behind the trees, filled my heart with a feverish glee.  Gone was the desolate, dismal, dreary. Joy was back! 

I painted this canvas with a mixture of raw umber, cad orange and Indian yellow then wiped until trees appeared. Yes, I brushed in a few branches, but mostly I wiped away the ... gloom.

Carol

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Tone Poem IV

"Tone Poem IV"
8" x 10"
Oil on canvas panel
Queen Anne's Lace dots a band across the front of this August landscape.  They're plentiful along the roadways where this was shot taken early one morning.  


Number four in the series is of larger trees and not so many different fields. I used a sponge and one scruffy brush  to paint all of the Tonalist pieces. Not my usual fare.

I appreciate your attention here.
Carol

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Late Afternoon

"Late Afternoon"
5" x 5"
Oil on hardboard
Late in the afternoon when the wind begins to tuck herself in for the night, a calm settles on the serpentine river. Shadows run from the sun as she bids adieu to another day.  


This is a pretty small painting. It's on the smallest panel my art supply store stocks.  On the other hand, I've begun a large rose painting!  She may not be as pink as I thought, but she's large enough for me to paint with my beloved sponges. I'm enjoying a neurobiological high—getting "blissed out" over the process, as Robert Genn says.

Thank you for joining me here on the banks of this river today.
Carol

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Serenity Pond

"Serenity Pond"
6" x 6"
Oil on gessoed hardboard
I needed to come to clarity this morning, so I allowed my mind to travel to a place where I had found it easily before.  This little pond knows many of my secrets.   


I painted this with three brushes I've never used before, plus my Colour Shaper.  It seems to have worked.  I'm going to do another while I'm inspired!

Thank you for walking with me today.
Carol

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Hoarfrost, Again

"Hoarfrost, Again"
6" x 6"
Oil on hardboard
There had been snow, but most of it melted. Leafless trees dandled the sky with their finger-like sticks. Cornstalks stabbed the drifts in steadfast rows across the field. But the magic came during the night, when Lady Hoarfrost graced them with a visit. 


This was another experiment. You must know by now that I can't leave well enough alone, so here's how I messed up well enough.  I painted a band of dark across my panel, added to it a band of ochre and let them dry.  I painted white over the whole shebang, then added a sky.  I took my frequently-used signature signing tool, my colour shaper, and scraped trees into the dark band, and cornstalks into the ochre band.  I signed it below the tree line on the right and—called it a day!

Thanks for maundering through,
Carol

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Without Leaves

"Without Leaves" 16" x 20" 
Acrylic on gessoed panel
I maundered through a forest so captivating and magical I didn't realize until I got home that there were no leaves.  


The first time I used a palette knife I made a mess. I thought "peanut butter and jelly" instead of marks.  This was an exercise in linear marks on a sponged background.  I used fluid paints, so the actual tactile texture is smooth.  It's the same palette of colors as yesterday's piece, too.

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Thank you for looking!
Carol

Trees of Life

"Trees of Life"
15" x 9"
Watercolor on paper
Sometimes life can't be supported merely by one trunk.  It might take more to hold up all that teeming protoplasm.  


Take the cookie sheet out of the freezer and peel off the plastic wrap be prepared to deal with what has been going on in your absence. There will be ice crystal patterns if it is cold enough.  If you want more texture, sprinkle a wee bit of salt at this point, where you want a snowflake effect.

Keep an open mind to the possibilities.  The "tree trunks" were two large wrinkles that either became very hard-edged or I made harder by stroking not-too-wet paint up to the dry "trunk" lines.

Working the wet areas is a lot of fun.  Keeping the paper wet while on the cookie sheet is the trick to soft edges and being able to work the positive and negative shapes.  Pull off the waxed paper only as you intend to work on an area.  Once it's dry it becomes like working on any other dry painting.

I have sprayed water underneath the art to retard the drying process.

Dabbing with a dry Q-Tip is a good way to correct mistakes. Or use a clean, damp brush to wipe out mistakes, but don't press or scrape too hard.

Make sure not to paint with too much water, it'll make backruns or blossoms.

Enjoy the process.  It's different and fun.  Most watercolorists don't get the luxury of painting slowly into damp paper, acting like oil painters.

For more information on this technique please Google Kathleen Conover.  

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Thank you for visiting.
Carol

Pikes Peak Morning

"Pikes Peak Morning"
8" x 10"
Oil on wrapped canvas
From the overlook near Garden of the Gods in Colorado Springs is a view across many miles of uncluttered terrain that begins with scrub oaks, through pine trees, rock outcroppings and the foothills leading up to Pikes Peak.  It's free for the stopping.

This is a study for a larger painting.  I have collected many images of this view, and hope to do it justice some time soon.

This small piece can be purchased on Dailypaintworks.com.

Thank you,
Carol

Meadow

"Meadow"
9" x 12"
Acrylic on canvas panel
It was the end of summer, the trees along this fenceline had grown weary of wearing green. The thought of gold, or orange seemed nice, but so did red, for that matter.

I like the cool blue in the shadows under the trees. The lawn-like meadow with its weedy middle added interest, too. 

This painting will be listed with, and for purchase through a Dailypaintworks Auction. 

Thank you for stopping by today.
Carol